10/29/2022 0 Comments Sin city a dame to kill forPulp and noir were often built on the beautiful shoulders of such characters as Ava, and the main justification for seeing the film is to watch Eva Green claim membership in the pantheon of film noir leading ladies alongside Jane Greer, Gloria Grahame, Marie Windsor, Peggy Cummings, Lizabeth Scott and a few others. He’s sober now and he tells himself he won’t weaken, yet he cannot refuse her request when she summons him to Kadie’s. This certainly applies to Dwight ( Josh Brolin), whose torrid affair with her ended four years earlier. Of greater interest in any event is anything and everything involving Ava (Green), a spider woman so fatally gorgeous and seductive that no man can resist her. Johnny’s dunder-headedness over not resting on his laurels but trying to further challenge Roark on his own turf makes the rest of this episode rather annoying despite some tensely violent interludes. With dancer Goldie ( Jaime King) as his good luck charm, he wipes out the old man - but, with arrogant stupidity, doesn’t just leave it at that. Turning up for the first time at Kadie’s one dark night is Johnny ( Joseph Gordon-Levitt), a hotshot young gambler who pushes his way into Roark’s backroom poker game. As before, the center of action is Kadie’s saloon, where Marv keeps a benevolent eye on exotic dancer Nancy ( Jessica Alba), who is periodically shadowed by the specter of Hartigan ( Bruce Willis), who in the earlier film gave his life to protect her from Sin City’s sinister political boss, Senator Roark ( Powers Boothe). Roark is the father of the yellow-skinned perv who tried to rape Nancy until Hartigan de-balled him.First among equals on the mean streets of Sin City as far as tough guys are concerned is Marv ( Mickey Rourke), a gigantic, easy-going, longtime hell-raiser whose age gives him a mordantly amused perspective on life but who is easily prodded back into action, especially if it involves handing cops their heads on a platter. Roark (Powers Boothe, doing snarling evil better than anyone). Hartigan is still keeping an eye on Nancy (Alba), the girl he saved from a rapist when she was only eleven and who is now stripping while planning revenge on Sen. Willis is accustomed to being a ghost who sees dead people. Bruce Willis also makes an appearance as Hartigan, the cop who blew his head off in the first movie. This time Marv has amnesia, which helps if you want to fill in the audience on what happened nine years ago. Mickey Rourke, in a fake face that looks like a parody of bad plastic surgery, is back as hulking Marv. It’s like running into an ex-love and realizing that, damn, the thrill is gone. Miller’s monochrome palette, splashed with color that shines like a whore’s lip gloss, doesn’t startle as it once did. It’s just that Sin City: A Dame To Kill For doesn’t explode onscreen the way the first one did. SIN CITY A DAME TO KILL FOR MOVIEThe movie looks good enough to inspire a million screensavers. And Robert Rodriquez was wise to ask Miller to join him again to direct. Fighters and femme fatales are the staples of Frank Miller’s just-famed graphic novels. But “meh” is hardly the reaction you expect from a movie in which Eva Green and Jessica Alba shake their ta-tas and Mickey Rourke and Josh Brolin send souls screaming into hell. The followup to 2005’s eye-popping Sin City is neither the dazzler I hoped for nor the disaster I feared.
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